It’s so fun - Rock And Roll (In a Black Hole) drives a dirty Rammstein riff through equally Germanic techno beats, with White Trash Freaks not trailing far behind. Venomous Rat Regeneration Vendor (2013)īasically a more boneheaded, muscular cousin to Electric Warlock, Rob’s fifth record is industrial metal through a keyboard-laden kaleidoscope reflecting, dunno, bench-pressing werewolves or something. Electric Warlock is horny, heavy and, in its final two minutes, genuinely heartfelt.Ĥ. has Rob go full-on Les Claypool with one of his catchiest vocal lines ever, while album finale Wurdalak climaxes with some properly gorgeous piano. And there’s still room for left-hand-path turns: Well, Everybody’s Fucking in a U.F.O. It’s all vibrant, dayglo, sharktooth-sharp riffs backed by the hammiest of keys and John 5’s Tom Morello-isms on stuff like Medication for the Melancholy. Clocking in at thirty-one minutes across twelve songs, his sixth solo outing is essentially the Zombie version of punk rock. The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser (2016)ĭespite a title that reads like a Rob Zombie parody, Electric Warlock is surprisingly succinct. Le Sexorcisto inadvertently straddled the zeitgeist and ended up going two-times platinum in the US.ĥ. The sampling’s reminiscent of the day’s hip-hop the psychedelic, drugged-up vibe fit right in with the likes of Soundgarden and Alice In Chains’ dark take on alternative rock. There’s the obvious stuff like Thunder Kiss ‘65 and Black Sunshine, but this record is nearly an hour long - even tracks like Grindhouse (A Go-Go), tucked right at the arse-end of the disc, will be stuck in your head for weeks. White Zombie’s third full-length saw Rob and the gang stuff Make Them Die Slowly’s grooves through a mince-grinder of bluesy guitar licks and exploitation film samples, tightening their offering and ensuring every song dug into your brain and set up camp there.
La Sexorcisto: Devil Music Volume One (1992)
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